The Nightingale

December 1, 2014
“In love we find out who we want to be; in war we find out who we are,” Hannah’s narrator, Viann Mauriac, proclaims as she looks back on her life in France. The bestselling author hits her stride in this page-turning tale about two sisters, one in the French countryside, the other in Paris, who show remarkable courage in the German occupation during WWII. Through Viann we learn how life was disrupted when husbands and fathers were forced to enlist while the Germans took over their towns and villages, billeting themselves in people’s homes, gorging on food, and forcing the starved locals to wait in endless lines for rations. Viann’s younger sister, Isabelle, always rebellious, joins the resistance in Paris, finds love with another resistance fighter, and risks her life guiding downed British and American paratroopers over the Pyrenees and out of France. Viann does her part too, saving 19 Jewish children by hiding them in a convent. Despite having a German officer in her own home, she also takes in a Jewish baby—her best friend’s son—when his mother is sent to a concentration camp. The author ably depicts war’s horrors through the eyes of these two women, whose strength of character shines through no matter their differences. Announced first printing of 350,000 copies.

April 27, 2015
Two very different sisters navigate life in WWII France in this sweeping story: Isabelle, an impetuous 18-year-old who is eager to defy the Nazis, and her much older and more traditional sister Vianne, who tries valiantly to keep home and hearth together. Reader Stone’s strength lies in the emotional range she brings to her characters—not just the two sisters, but also their jaded, detached father, and even Vianne’s small daughter, who grows up markedly during the war. Stone approaches the performance with an intuitive understanding of the characters’ private fears, knowing that their inner lives are often quite different than their public faces, and that a good deal goes unsaid between them. She also performs an excellent French accent. But rather than trying to carry it through all of the conversations between the French characters, which would be tedious over the course of the novel, she wisely reserves it for names and places. However, the voice she employs for Captain Beck, a German officer billeted at Vianne’s house, is stereotyped, and other international inflections—British, Eastern European—fall flat. A St. Martin’s hardcover.