Commonwealth

Starred review from May 9, 2016
Patchett (State of Wonder) draws from personal experience for a funny, sad, and ultimately heart-wrenching family portrait: a collage of parents, children, stepchildren, siblings, and stepsiblings. In 1960s California, lawyer Bert Cousins divorces Teresa, leaving her to raise their four children alone; Beverly Keating divorces Fix, an L.A. cop; and Bert and Beverly marry and relocate to Virginia with Beverly and Fix’s two children. Visiting arrangements result in an angry, resentful younger generation—rebellious Cal, frustrated Holly, practical Jeannette, littlest Albie, bossy Caroline, kind-hearted Franny—spending part of summer vacations together. Left unsupervised, Cal takes charge, imitating grown-ups by drinking and carrying a gun, until a fatal accident puts an end to shared vacations. Patchett follows the surviving children into adulthood, focusing on Franny, who confides to novelist Leo Posen stories of her childhood, including the secret behind the accident. Twenty years after that conversation, middle-aged with children and stepchildren of their own, Franny and Caroline take 83-year-old Fix to see the movie version of Leo’s novel about their family. Patchett elegantly manages a varied cast of characters as alliances and animosities ebb and flow, cross-country and over time. Scenes of Franny and Leo in the Hamptons and Holly and Teresa at a Zen meditation center show her at her peak in humor, humanity, and understanding people in challenging situations. What’s more challenging, after all, than a family like the Commonwealth of Virginia, made up of separate entities bound together by chance and history?

December 5, 2016
In Patchett’s domestic tale, a stolen kiss at a christening party in the 1960s leads to a new blended family of six stepsiblings whom the novel follows over 50 years. Reader Davis, a well-known actress and frequent contributor to the radio program Selected Shorts, boasts a robust resume, but her vocal performance for this title is uneven. On the plus side, Davis’s gentle and unpretentious voice is pleasant, and fits well with the muted emotional climate of the family. But in Davis’s reading, it’s hard to distinguish between the six siblings, and as a result the story as a whole falls flat. Only Caroline, the oldest and most combative of the children, comes across as uniquely individual. In a novel that depends so heavily on dialogue and characterization, Davis’s monochromatic performance fails to realize the richness of Patchett’s careful observations. A Harper hardcover.